Author Archives: FJadmin

“There Is a Fault Here!”: A Report on a More Inclusive Research Method in a Creative Project in Lubumbashi (DR Congo)
Carl-Philipp Bodenstein and Daniela Waldburger

“There Is a Fault Here!”: A Report on a More Inclusive Research Method in a Creative Project in Lubumbashi (DR Congo)
Carl-Philipp Bodenstein and Daniela Waldburger

On the Fashion Parade 2017: Pushing Back Against the Shrinking Deliberative Space in Uganda
Angelo Kakande

On the Fashion Parade 2017: Pushing Back Against the Shrinking Deliberative Space in Uganda
Angelo Kakande

Angolan Kuduro: Dance Conquers the City
Inês Cordeiro Dias

Angolan Kuduro: Dance Conquers the City
Inês Cordeiro Dias

Creativity of practice as re-existence: Mowoso, iQhiya and Ozhopé
Massa Lemu

Creativity of practice as re-existence: Mowoso, iQhiya and Ozhopé
Massa Lemu

Ascribing an advocatorial role to the work of Zambian artist Agnes Buya Yombwe
Andrew Mulenga

Ascribing an advocatorial role to the work of Zambian artist Agnes Buya Yombwe
Andrew Mulenga

FIELD Issue 16 Editorial
Grant Kester

Under the Burning Cop Cars, a Beach: A few brief observations on collective social collaging in New York City in the days following the killing of George Perry Floyd Jr.
Ricardo Dominguez

Under the Burning Cop Cars, a Beach: A few brief observations on collective social collaging in New York City in the days following the killing of George Perry Floyd Jr.
Ricardo Dominguez

Street Solidarity: A Report on Lebanon’s ‘October Revolution’
Erin E. Cory

Street Solidarity: A Report on Lebanon’s ‘October Revolution’
Erin E. Cory

On the Relational Transformation of Law through Common Sense, via Objects and Movements
Marc Herbst

On the Relational Transformation of Law through Common Sense, via Objects and Movements
Marc Herbst

We Are Everywhere!: On Oliver Ressler’s Video Installation Everything’s Coming Together While Everything’s Falling Apart
Julia Ramírez-Blanco

We Are Everywhere!: On Oliver Ressler’s Video Installation Everything’s Coming Together While Everything’s Falling Apart
Julia Ramírez-Blanco

Book Review: Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art
Noni Brynjolson

Book Review: Wages Against Artwork: Decommodified Labor and the Claims of Socially Engaged Art
Noni Brynjolson

Book Review: Socially Engaged Art in Contemporary China: Voices from Below
Mai Corlin

Book Review: Socially Engaged Art in Contemporary China: Voices from Below
Mai Corlin

Book Review: The Art of Direct Action: Social Sculpture and Beyond
Paloma Checa-Gismero

Book Review: The Art of Direct Action: Social Sculpture and Beyond
Paloma Checa-Gismero

FIELD Issue 15 Editorial
Grant Kester

Introduction to Learning Art and Resistance from the South
Eva Marxen

Introduction to Learning Art and Resistance from the South
Eva Marxen

Challenges in Defining and Building Community within the Curatorial: The Pacific Standard Time, LA/LA Edition
Bill Kelley, Jr.

Challenges in Defining and Building Community within the Curatorial: The Pacific Standard Time, LA/LA Edition
Bill Kelley, Jr.

Exhibiting Socially Engaged Art Practices: Expanded Curatorial Strategies
Almudena Caso and Hannah Barco

Exhibiting Socially Engaged Art Practices: Expanded Curatorial Strategies
Almudena Caso and Hannah Barco

Revolving Care in Research on Colonial Violences
David Gutiérrez and Paulina E. Varas

Revolving Care in Research on Colonial Violences
David Gutiérrez and Paulina E. Varas

Opposing Epistemological Imperialism
Eva Marxen

Opposing Epistemological Imperialism
Eva Marxen

Encouraging Encounters: Dignicraft in conversation with Ionit Behar
Dignicraft and Ionit Behar

Encouraging Encounters: Dignicraft in conversation with Ionit Behar
Dignicraft and Ionit Behar

New Devices for Thinking the Common
Iconoclasistas

New Devices for Thinking the Common
Iconoclasistas

Archivistic Encounters, Transnational Imaginaries and Spatial Justice: A Trialogue
Sandra de la Loza, Eduardo Molinari, & Josh Rios

Archivistic Encounters, Transnational Imaginaries and Spatial Justice: A Trialogue
Sandra de la Loza, Eduardo Molinari, & Josh Rios

For a Common Archival Policy: A Call for a Best Practices Agreement
Red Conceptualismos del Sur

For a Common Archival Policy: A Call for a Best Practices Agreement
Red Conceptualismos del Sur

A Certain Type of Hidden Force: Notes on the Outbreak in Chile
Paulina E. Varas

A Certain Type of Hidden Force: Notes on the Outbreak in Chile
Paulina E. Varas

Resistance from the South: Some Reflections on Youth and the Chilean October
Guillermo Rivera-Aguilera and Luis Jiménez

Resistance from the South: Some Reflections on Youth and the Chilean October
Guillermo Rivera-Aguilera and Luis Jiménez

Reflections from the Citizen, Political, and Critical Academy
Mirliana Ramírez-Pereira

Reflections from the Citizen, Political, and Critical Academy
Mirliana Ramírez-Pereira

FIELD Issue 14 Editorial
Grant Kester

Interview with Patrisse Cullors
Grant Kester

Interview with Patrisse Cullors
Grant Kester

Art and Activism in Boyle Heights
Erika Barbosa and Noni Brynjolson

Art and Activism in Boyle Heights
Erika Barbosa and Noni Brynjolson

Desarmando Desarrollismo: Listening to Anti-Gentrification in Boyle Heights
Ultra-red

Desarmando Desarrollismo: Listening to Anti-Gentrification in Boyle Heights
Ultra-red

Gentrification and the Aesthetics of Displacement
Anastasia Baginski and Chris Malcolm

Gentrification and the Aesthetics of Displacement
Anastasia Baginski and Chris Malcolm

Los Angeles Utopias: Escape to L.A.
Amy Pederson Converse

Los Angeles Utopias: Escape to L.A.
Amy Pederson Converse

An Interview with Evan Kleekamp
Erika Barbosa

An Interview with Evan Kleekamp
Erika Barbosa

An Interview with Betty Avila and Jennifer Cuevas of Self Help Graphics
Erika Barbosa

An Interview with Betty Avila and Jennifer Cuevas of Self Help Graphics
Erika Barbosa

An Interview with Shmuel Gonzalez
John Hulsey

An Interview with Shmuel Gonzalez
John Hulsey

An Interview with Trinidad Ruiz
Noni Brynjolson

An Interview with Trinidad Ruiz
Noni Brynjolson

Señor Matanza: A Counter-Historical Karaoke to Exorcise the Manipulation of our Conscience
Jimena Andrade, Victoria Argoty, Daniel Castellanos, Camila Cifuentes, Miguel Estupiñán, María Gamarra, Guerthy Gutiérrez, Susana Lyons, Silvia Valderrama, Esthefanny Yague, Nicolás Vargas.

Señor Matanza: A Counter-Historical Karaoke to Exorcise the Manipulation of our Conscience
Jimena Andrade, Victoria Argoty, Daniel Castellanos, Camila Cifuentes, Miguel Estupiñán, María Gamarra, Guerthy Gutiérrez, Susana Lyons, Silvia Valderrama, Esthefanny Yague, Nicolás Vargas.

Assam as a field: Making space in a bipolar world
Mriganka Madhukaillya

Assam as a field: Making space in a bipolar world
Mriganka Madhukaillya

Political Economy, Culture Policy and the Fascist Horizon: the State of Art and Politics in Sweden
Fredrik Svensk

Political Economy, Culture Policy and the Fascist Horizon: the State of Art and Politics in Sweden
Fredrik Svensk

FIELD Issue 12 & 13 Editorial
Grant Kester

FIELD Issue 12 & 13 Editorial
Grant Kester

Optimism of the Will: 2018 FIELD Reports on the Global Resistance to Neoreactionary Nationalism
Greg Sholette

Optimism of the Will: 2018 FIELD Reports on the Global Resistance to Neoreactionary Nationalism
Greg Sholette

SovereignTies: The Shared Sovereignty of Trust, Culture, and Land
Libertad O. Guerra and Angel ‘Monxo’ López-Santiago

SovereignTies: The Shared Sovereignty of Trust, Culture, and Land
Libertad O. Guerra and Angel ‘Monxo’ López-Santiago

The Art of Protest
Heng-Gil Han

Spain Is Making Its Tomorrow
Alan W. Moore

Spain Is Making Its Tomorrow
Alan W. Moore

Yes, but Not Quite So: Contemporary Art and Activism in Mexico, 2008-2018
Alberto López Cuenca

Yes, but Not Quite So: Contemporary Art and Activism in Mexico, 2008-2018
Alberto López Cuenca

Is This How Participation Goes?
Nikos Papastergiadis and Danielle Wyatt

Is This How Participation Goes?
Nikos Papastergiadis and Danielle Wyatt

On the Indigenous Art ‘Trend’ in Canada: Our ‘Year of Reconciliation’ (And One Year After)
Lindsay Nixon

On the Indigenous Art ‘Trend’ in Canada: Our ‘Year of Reconciliation’ (And One Year After)
Lindsay Nixon