Issue 25
FIELD Issue 25 Editorial
Grant Kester
October 4, 2023 /
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Fragile Infrastructures for an Art of Conviviality: Learning from documenta fifteen
Karen van den Berg
October 3, 2023 /
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Fragile Infrastructures for an Art of Conviviality: Learning from documenta fifteen
Karen van den Berg
October 3, 2023 /
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Breaking and Entering: Poverty and Aesthetic Violence in Let Us Now Praise Famous Men
Grant Kester
October 2, 2023 /
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Breaking and Entering: Poverty and Aesthetic Violence in Let Us Now Praise Famous Men
Grant Kester
October 2, 2023 /
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Meanings, Meaning-Making and the Ideal/Ideas of Socially Engaged Art
Gábor Erlich, Jenny Fadranski, Anna Fech, Fabiola Fiocco, Sophie Mak-Schram, Noa Mamrud, Maria Mkrtycheva, Marteinn Sindri Jónsson
October 2, 2023 /
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Meanings, Meaning-Making and the Ideal/Ideas of Socially Engaged Art
Gábor Erlich, Jenny Fadranski, Anna Fech, Fabiola Fiocco, Sophie Mak-Schram, Noa Mamrud, Maria Mkrtycheva, Marteinn Sindri Jónsson
October 2, 2023 /
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Book Review: Images of Class: Operaismo, Autonomia and the Visual Arts (1962-1988), by Jacopo Galimberti
Mikkel Bolt Rasmussen
October 1, 2023 /
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Book Review: Images of Class: Operaismo, Autonomia and the Visual Arts (1962-1988), by Jacopo Galimberti
Mikkel Bolt Rasmussen
October 1, 2023 /
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Book Review: The ABC of the Projectariat: Living and Working in a Precarious Art World, by Kuba Szreder
Kim Charnley
October 1, 2023 /
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Book Review: The ABC of the Projectariat: Living and Working in a Precarious Art World, by Kuba Szreder
Kim Charnley
October 1, 2023 /
Comments Off on Book Review: The ABC of the Projectariat: Living and Working in a Precarious Art World, by Kuba Szreder