Issue 17

FIELD Issue 17 Editorial

Grant Kester

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FIELD Issue 17 Editorial

Grant Kester

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Interview with Saba Zavarei

Bria Dinkins

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Interview with Saba Zavarei

Bria Dinkins

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Creative Uprisings: Art, Social Movements and Mobilisation in Africa

Nomusa Makhubu and Carlos Garrido Castellano

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Creative Uprisings: Art, Social Movements and Mobilisation in Africa

Nomusa Makhubu and Carlos Garrido Castellano

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A Volatile Negotiation Between the Past and Present: Invisible Borders Trans-African Project

Emeka Okereke

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A Volatile Negotiation Between the Past and Present: Invisible Borders Trans-African Project

Emeka Okereke

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Creative Practices and Social Imaginaries: the 8th São Tomé and Príncipe Biennial of Arts and Culture

Ana Nolasco

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Creative Practices and Social Imaginaries: the 8th São Tomé and Príncipe Biennial of Arts and Culture

Ana Nolasco

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Organising: Collectivity as Infrastructure in Southern African Arts Practice

Molemo Moiloa

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Organising: Collectivity as Infrastructure in Southern African Arts Practice

Molemo Moiloa

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Interview with Marie Hélène Pereira

Nomusa Makhubu

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Interview with Marie Hélène Pereira

Nomusa Makhubu

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Interview with Ugochukwu-Smooth C. Nzewi

Carlos Garrido Castellano

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Interview with Ugochukwu-Smooth C. Nzewi

Carlos Garrido Castellano

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“There Is a Fault Here!”: A Report on a More Inclusive Research Method in a Creative Project in Lubumbashi (DR Congo)

Carl-Philipp Bodenstein and Daniela Waldburger

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“There Is a Fault Here!”: A Report on a More Inclusive Research Method in a Creative Project in Lubumbashi (DR Congo)

Carl-Philipp Bodenstein and Daniela Waldburger

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On the Fashion Parade 2017: Pushing Back Against the Shrinking Deliberative Space in Uganda

Angelo Kakande

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On the Fashion Parade 2017: Pushing Back Against the Shrinking Deliberative Space in Uganda

Angelo Kakande

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Angolan Kuduro: Dance Conquers the City

Inês Cordeiro Dias

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Angolan Kuduro: Dance Conquers the City

Inês Cordeiro Dias

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Creativity of practice as re-existence: Mowoso, iQhiya and Ozhopé

Massa Lemu

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Creativity of practice as re-existence: Mowoso, iQhiya and Ozhopé

Massa Lemu

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Ascribing an advocatorial role to the work of Zambian artist Agnes Buya Yombwe

Andrew Mulenga

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Ascribing an advocatorial role to the work of Zambian artist Agnes Buya Yombwe

Andrew Mulenga

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