Past Issue Archive

FIELD Editorial 4
Grant Kester

Merciless Aesthetic: Activist Art as the Return of Institutional Critique. A Response to Boris Groys
Gregory Sholette

Merciless Aesthetic: Activist Art as the Return of Institutional Critique. A Response to Boris Groys
Gregory Sholette

Beating the Bounds of Socially-Engaged Art? A Transdisciplinary Dialogue on a Collaborative Art Project with Youth in Dublin, Ireland
Fiona Whelan and Kevin Ryan

Beating the Bounds of Socially-Engaged Art? A Transdisciplinary Dialogue on a Collaborative Art Project with Youth in Dublin, Ireland
Fiona Whelan and Kevin Ryan

Bostanorama
Christoph Schäfer

Tightrope Routines: A Feminist Artist Interviews The Internet’s Most Infamous Misogynist
Angela Washko

Tightrope Routines: A Feminist Artist Interviews The Internet’s Most Infamous Misogynist
Angela Washko

Antinomies of Art Activism and Documentation: The Curatorial Approach of Agitprop at the Brooklyn Museum
Izabel Galliera

Antinomies of Art Activism and Documentation: The Curatorial Approach of Agitprop at the Brooklyn Museum
Izabel Galliera

Book review: Yates McKee, Strike Art
Paloma Checa-Gismero

Book review: Yates McKee, Strike Art
Paloma Checa-Gismero

FIELD Issue 3
Winter 2016

FIELD Editorial 3
Grant Kester

The Arts and Crafts of Participatory Reforms: How Can Socially Engaged Art and Public Deliberation Inform Each Other?
Caroline W. Lee

The Arts and Crafts of Participatory Reforms: How Can Socially Engaged Art and Public Deliberation Inform Each Other?
Caroline W. Lee

A Chronicle of Art (and Anthropology) at the World Trade Organization… in Five Not-So-Easy Pieces
George E. Marcus

A Chronicle of Art (and Anthropology) at the World Trade Organization… in Five Not-So-Easy Pieces
George E. Marcus

Points de vue: Agency, Contingency, Community, and the Postindustrial Turn
Cynthia Hammond and
Shauna Janssen

Points de vue: Agency, Contingency, Community, and the Postindustrial Turn
Cynthia Hammond and
Shauna Janssen

C’undúa: Activist Art in Downtown Bogotá
Ruben Yepes

C’undúa: Activist Art in Downtown Bogotá
Ruben Yepes

An Interview with Wu Mali
Zheng Bo

Activism vs. Antagonism: Socially Engaged Art from Bourriaud to Bishop and Beyond
Jason Miller

Activism vs. Antagonism: Socially Engaged Art from Bourriaud to Bishop and Beyond
Jason Miller

Book Review: Nato Thompson, Seeing Power: Art and Activism in the 21st Century
Hammam Aldouri

Book Review: Nato Thompson, Seeing Power: Art and Activism in the 21st Century
Hammam Aldouri

FIELD Issue 2
Fall 2015

FIELD Editorial 2
Grant Kester

Agency in a Zoo: The Occupy Movement’s Strategic Expansion to Art Institutions
Noah Fischer

Agency in a Zoo: The Occupy Movement’s Strategic Expansion to Art Institutions
Noah Fischer

Response to Noah Fischer
Sebastian Loewe

Response to Noah Fischer
Sebastian Loewe

La Tabacalera of Lavapiés: A Social Experiment or a Work of Art?
Gloria G. Durán and Alan W. Moore

La Tabacalera of Lavapiés: A Social Experiment or a Work of Art?
Gloria G. Durán and Alan W. Moore

The Paradoxes of Design Activism: Expertise, Scale and Exchange
C. Greig Crysler

The Paradoxes of Design Activism: Expertise, Scale and Exchange
C. Greig Crysler

Just Art / Arte Justamente: State of Exception
Mariana Botey

Just Art / Arte Justamente: State of Exception
Mariana Botey

Book Review: John Roberts, Revolutionary Time and the Avant-Garde
Noni Brynjolson

Book Review: John Roberts, Revolutionary Time and the Avant-Garde
Noni Brynjolson

Socially engaged practices within La 12 Bienal de La Habana, May-June, 2015
Paloma Checa-Gismero

Socially engaged practices within La 12 Bienal de La Habana, May-June, 2015
Paloma Checa-Gismero

FIELD Editorial 1
Grant Kester

An Interview with Tania Bruguera
Alex Kershaw

An Interview with Tania Bruguera
Alex Kershaw

The Inner Public
Krzysztof Wodiczko

A Week in Pasadena: Collaborations Toward a Design Modality For Ethnographic Research
Luke Cantarella, Christine Hegel and George E. Marcus

A Week in Pasadena: Collaborations Toward a Design Modality For Ethnographic Research
Luke Cantarella, Christine Hegel and George E. Marcus

Delirium and Resistance after the Social Turn
Gregory Sholette

Delirium and Resistance after the Social Turn
Gregory Sholette

From Freehouse to Neighborhood Co-op: The Birth of a New Organizational Form
Sue Bell Yank

From Freehouse to Neighborhood Co-op: The Birth of a New Organizational Form
Sue Bell Yank

Thoughts on the Cultural Policy of a Failed State
Marc Herbst

Thoughts on the Cultural Policy of a Failed State
Marc Herbst

When Protest Becomes Art: The Contradictory Transformations of the Occupy Movement at Documenta 13 and Berlin Biennale 7
Sebastian Loewe

When Protest Becomes Art: The Contradictory Transformations of the Occupy Movement at Documenta 13 and Berlin Biennale 7
Sebastian Loewe

An Interview with Althea Thauberger
Noni Brynjolson

An Interview with Althea Thauberger
Noni Brynjolson

How Participatory Democracy Became White: Culture and Organizational Choice
Francesca Polletta

How Participatory Democracy Became White: Culture and Organizational Choice
Francesca Polletta

New Rural Arts Seminar Report
Stephanie Sherman

New Rural Arts Seminar Report
Stephanie Sherman

On “A Lived Practice” Symposium, School of the Art Institute of Chicago, Nov. 6-8, 2014
Megan Voeller

On “A Lived Practice” Symposium, School of the Art Institute of Chicago, Nov. 6-8, 2014
Megan Voeller

On The Return of a Lake. MUAC, Mexico City, August – November 2014
Paloma Checa-Gismero

On The Return of a Lake. MUAC, Mexico City, August – November 2014
Paloma Checa-Gismero