Señor Matanza: A Counter-Historical Karaoke to Exorcise the Manipulation of our Conscience

Jimena Andrade, Victoria Argoty, Daniel Castellanos, Camila Cifuentes, Miguel Estupiñán, María Gamarra, Guerthy Gutiérrez, Susana Lyons, Silvia Valderrama, Esthefanny Yague, Nicolás Vargas.

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Señor Matanza: A Counter-Historical Karaoke to Exorcise the Manipulation of our Conscience

Jimena Andrade, Victoria Argoty, Daniel Castellanos, Camila Cifuentes, Miguel Estupiñán, María Gamarra, Guerthy Gutiérrez, Susana Lyons, Silvia Valderrama, Esthefanny Yague, Nicolás Vargas.

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Assam as a field: Making space in a bipolar world

Mriganka Madhukaillya

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Assam as a field: Making space in a bipolar world

Mriganka Madhukaillya

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Political Economy, Culture Policy and the Fascist Horizon: the State of Art and Politics in Sweden

Fredrik Svensk

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Political Economy, Culture Policy and the Fascist Horizon: the State of Art and Politics in Sweden

Fredrik Svensk

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FIELD Issue 12 & 13 Editorial

Grant Kester

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FIELD Issue 12 & 13 Editorial

Grant Kester

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Optimism of the Will: 2018 FIELD Reports on the Global Resistance to Neoreactionary Nationalism

Greg Sholette

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Optimism of the Will: 2018 FIELD Reports on the Global Resistance to Neoreactionary Nationalism

Greg Sholette

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SovereignTies: The Shared Sovereignty of Trust, Culture, and Land

Libertad O. Guerra and Angel ‘Monxo’ López-Santiago

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SovereignTies: The Shared Sovereignty of Trust, Culture, and Land

Libertad O. Guerra and Angel ‘Monxo’ López-Santiago

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The Art of Protest

Heng-Gil Han

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The Art of Protest

Heng-Gil Han

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Spain Is Making Its Tomorrow

Alan W. Moore

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Spain Is Making Its Tomorrow

Alan W. Moore

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Yes, but Not Quite So: Contemporary Art and Activism in Mexico, 2008-2018

Alberto López Cuenca

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Yes, but Not Quite So: Contemporary Art and Activism in Mexico, 2008-2018

Alberto López Cuenca

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Is This How Participation Goes?

Nikos Papastergiadis and Danielle Wyatt

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Is This How Participation Goes?

Nikos Papastergiadis and Danielle Wyatt

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On the Indigenous Art ‘Trend’ in Canada: Our ‘Year of Reconciliation’ (And One Year After)

Lindsay Nixon 

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On the Indigenous Art ‘Trend’ in Canada: Our ‘Year of Reconciliation’ (And One Year After)

Lindsay Nixon 

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MTL Reports: #GreatReturnMarch

MTL Collective

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MTL Reports: #GreatReturnMarch

MTL Collective

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Athens Is the Only Cave in the World That Has a Skylight

Georgia Kotretsos

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Athens Is the Only Cave in the World That Has a Skylight

Georgia Kotretsos

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Report from the Bay: Capitalization of the Commune or Monetizing Hope as Social Practice

Jeffrey Skoller

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Report from the Bay: Capitalization of the Commune or Monetizing Hope as Social Practice

Jeffrey Skoller

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From Protest to the Production of Social Relations: Socially Engaged Art and Activism in Germany since 2015

Karen van den Berg

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From Protest to the Production of Social Relations: Socially Engaged Art and Activism in Germany since 2015

Karen van den Berg

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Kulturkampf or Kulturchaos?: New (Dis)orders in Contemporary Hungarian Cultural Politics

Kata Benedek and Ágnes Básthy

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Kulturkampf or Kulturchaos?: New (Dis)orders in Contemporary Hungarian Cultural Politics

Kata Benedek and Ágnes Básthy

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Reflections from Nowhere: Social Media Activism and the Strange Politics of Participation

Chlöe Bass

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Reflections from Nowhere: Social Media Activism and the Strange Politics of Participation

Chlöe Bass

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Duck-Rabbits Against Fascism: Post-Artistic Postcard from Warsaw

Kuba Szreder

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Duck-Rabbits Against Fascism: Post-Artistic Postcard from Warsaw

Kuba Szreder

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Under Tightening Siege: The Turkish Contemporary Art Scene Under Erdoğan’s Rule

Erden Kosova

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Under Tightening Siege: The Turkish Contemporary Art Scene Under Erdoğan’s Rule

Erden Kosova

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Italian Blow-Up: Building Counter-Hegemonic Social Art Machines Against Reactionary Populism

Marco Baravalle

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Italian Blow-Up: Building Counter-Hegemonic Social Art Machines Against Reactionary Populism

Marco Baravalle

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Playing Cool Under the Iron Ceiling: The Current State of Socially Engaged Art in Mainland China

Bo Zheng

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Playing Cool Under the Iron Ceiling: The Current State of Socially Engaged Art in Mainland China

Bo Zheng

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UMHLABA! The World!

Nkule Mabaso

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UMHLABA! The World!

Nkule Mabaso

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Maritime Surrealism: A Forensic Image of Southern Europe in the Twenty-First Century

Carlos Garrido Castellano

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Maritime Surrealism: A Forensic Image of Southern Europe in the Twenty-First Century

Carlos Garrido Castellano

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The Class War from Nato to NATO

Marc James Léger

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The Class War from Nato to NATO

Marc James Léger

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Great Lakes Report

Dan S. Wang

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Great Lakes Report

Dan S. Wang

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How Much Remains of What Was Not?

André Mesquita

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How Much Remains of What Was Not?

André Mesquita

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A Discussion with Residents of Rosa House of Culture

Chto Delat

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A Discussion with Residents of Rosa House of Culture

Chto Delat

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Artistic Protest Practices in Serbia

Rena Rädle

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Artistic Protest Practices in Serbia

Rena Rädle

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Digital Highway Becomes Digital Jail

Katatare Prajapati Collective

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Digital Highway Becomes Digital Jail

Katatare Prajapati Collective

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Report from Ireland: Repealing the Eighth Amendment

Emma Mahony

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Report from Ireland: Repealing the Eighth Amendment

Emma Mahony

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Brexit, Austerity and Social Practice

Kim Charnley

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Brexit, Austerity and Social Practice

Kim Charnley

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Report on Paris – France

Vanessa Theodoropoulou

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Report on Paris – France

Vanessa Theodoropoulou

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Update from the City of Brotherly Love

Nato Thompson

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Update from the City of Brotherly Love

Nato Thompson

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Why Is Sentsov’s Strike So Important?

Oleksiy Radynski

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Why Is Sentsov’s Strike So Important?

Oleksiy Radynski

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FIELD Issue 11

Fall 2018

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FIELD Issue 11

Fall 2018

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FIELD Issue 11 Editorial

Grant Kester

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FIELD Issue 11 Editorial

Grant Kester

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The Art of Research Practices Between Art and Anthropology

Elpida Rikou and Eleana Yalouri

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The Art of Research Practices Between Art and Anthropology

Elpida Rikou and Eleana Yalouri

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The Green Room: Off-Stage in Site-Specific Performance Art and Ethnographic Encounters

George E. Marcus

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The Green Room: Off-Stage in Site-Specific Performance Art and Ethnographic Encounters

George E. Marcus

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Between Uneven Hermeneutics and Alterity: The Dialogical Principle in the Art – Anthropology Encounter

Arnd Schneider

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Between Uneven Hermeneutics and Alterity: The Dialogical Principle in the Art – Anthropology Encounter

Arnd Schneider

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Art and Anthropology: Different Practices and Common Fields of Intersection

Thomas Fillitz

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Art and Anthropology: Different Practices and Common Fields of Intersection

Thomas Fillitz

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Unlearning the Role Game

Roger Sansi Roca

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Unlearning the Role Game

Roger Sansi Roca

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Uncertain Realities: Art, Anthropology, and Activism

Christopher Wright

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Uncertain Realities: Art, Anthropology, and Activism

Christopher Wright

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The Return of the Unreal

Eleana Yalouri

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The Return of the Unreal

Eleana Yalouri

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Research as Art in/as Context

Elpida Rikou

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Research as Art in/as Context

Elpida Rikou

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Documenta 14 learning from Athens: the response of the “Learning from documenta” research project

Elpida Rikou and Eleana Yalouri

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Documenta 14 learning from Athens: the response of the “Learning from documenta” research project

Elpida Rikou and Eleana Yalouri

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Anthropology Between Art and Science: An Essay on the Meaning of Research

Tim Ingold

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Anthropology Between Art and Science: An Essay on the Meaning of Research

Tim Ingold

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FIELD Issue 10

Spring 2018

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FIELD Issue 10

Spring 2018

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FIELD Issue 10 Editorial

Grant Kester

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FIELD Issue 10 Editorial

Grant Kester

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The Paradoxes of Design Activism: Expertise, Scale and Exchange Part Two: Scale

C. Greig Crysler

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The Paradoxes of Design Activism: Expertise, Scale and Exchange Part Two: Scale

C. Greig Crysler

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Art Trumps Walls

Andrew Sturm

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Art Trumps Walls

Andrew Sturm

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